No doubt, this became one of my favorite movies! I love how this story is a slice of life with a twist of fantasy included. Hana is AMAZING for raising her two kids by herself and being so patient with them. It accurately portrayed a life of children who are mixed and going through an identity crisis to discover themselves. Ookami Kodomo no Ame to Yuki translates to “Wolf Children Ame and Yuki”. What the film’s title promises is accurate, but this is secondary to what the film is actually about. This is a movie entirely about the enduring and triumphant nature of maternal love. And it never fail to make me cry ( ͒ ˃̣̣̥᷄ꇵ͒˂̣̣̥᷅ ू ͒) .Teenage Hana is a hardworking girl putting herself through college. During a class, her eyes fall on a man who enthusiastically and diligently takes notes, but he has no textbooks and he disappears before roll is taken. Intrigued, she searches him out and learns that he sits through classes but doesn’t attend the school. From what we see, he works with a moving company, delivering goods to houses. He comes to university and bums through classes to learn. Hana works at a laundromat to make ends meet, and meets him when her day is over. We never learn of this man’s name, but he becomes Hana’s world, and she, his. Then their worlds are joined then broadened with the births of their children.
The film can be divided into three clear arcs. The first finds Hana in love, developing a relationship. The second follows Hana’s struggles to raise her young children who have special needs. The final one sees her settled while her children attempt to find their own places in the world. A recurring theme throughout each arc is that there is a reason to always keep smiling. Ookami Kodomo is a film of change and self-discovery. Yuki begins the film feral and wild, easily embracing her lupine half while Ame, tearful and timid, is afraid of what it means to be part-wolf. As the years pass, Hana’s resolve remains unwavering, but her children grow apart from her as children naturally do. With this growth, they also change. The film changes focus from Hana as the children grow older, giving us their insight and feelings about who they are. Yuki’s desire to belong allows her to channel charisma into socializing with peers. Ame’s introversion makes him steely and independent. Yuki wants to embrace her humanity while Ame wants to explore the animal. Ame and Yuki yearn for something more, just as their mother knows they would but is afraid to acknowledge.
The story carefully and gently handles the fantasy so that it never overwhelms the film. There are no transformation hijinks or forced comedy or drama. The film treats the wolf children naturally. They seamlessly transform into their wolf-forms and out again. Some of the greatest scenes animated in the movie are these transformations as they move in and out of their dual identities. The animation for the most part is fluid, with beautiful art painting a lovely countryside and the wilderness. Sometimes the film suffers from poorly chosen CGI effects, repeated animation and disproportionate character models, but this does not take away from the movie’s overall beauty. Hana and the children’s country home is clearly inspired by the 1988 classic My Neighbour Totoro, even down to Yuki’s exuberant exploration of the broken down shed and the wild grass growing everywhere. Adding to the atmosphere of the film is a well-thought out score which knows precisely what type of music fits a mood. Sometimes, especially in the beginning and ending of the film, it can be a little heavy-handed with its emotional outbursts, but largely, it works and it makes itself invaluable to the film’s impact.
The voice-acting for the movie is one of its strongest aspects. Having child actors to play Yuki and Ame’s characters in their toddler stages was a wise choice, as their earnest delivery of their lines makes the characters more genuine and loveable. Ookami Kodomo’s characters are the major reason that any viewer will become easily involved. Hana is one of the most inspirational characters ever to be given life through animation. Her love for her family is apparent. If anything, I’m pretty sure some of this film’s audience is going to feel a pang of affection for their own mothers. She dutifully cares for them in ways that are admirable and it is her unbreakable spirit and positive disposition that makes her noteworthy. She is a strong woman and an even stronger mother.
Yuki and Ame carry the film in places their mother cannot. While her hopes and fears for them are palpable, it is their experience of hope and of fear that makes these feelings more acute. Yuki’s voice takes us through the entire film with its steady narration, and her character grows from precocious and brave child to a young girl who unfortunately knows what it means to be afraid. Ame’s behaviour becomes a bit frustrating in the end of the film, but to understand him in the context of an animal, it makes perfect sense. He is a wolf. The rest of the cast is made up of extremely likable characters, including the old man who looks after Hana when she moves to the village and Souhei, a boy who crosses paths with Yuki. Even non-speaking, non-human characters like the caged wolf whose pain Ame senses and the wild fox whose freedom Ame respects are indispensable.
While the film’s imperfections are honestly very few,(For instance, I was low-key salty with Ame decision. It was definitely inevitable because it was his calling, but the movie should’ve included him visiting from time to time!) they add up enough to have it stop just short of being a masterpiece. With some tighter editing of the story, cleaner and consistent art and animation, more precise handling of the characters, and a more memorable soundtrack, it easily would have been a masterwork of anime. As it is, it is still essential viewing for anyone interested in a movie that looks at growing up and raising a family. It is a mature, insightful and often painful reflection of how deeply we feel about those we love and inevitably have to let go of.